Wednesday, May 6, 2020

Music Of The Medieval Period Essay Example For Students

Music Of The Medieval Period Essay Sometimes with improvised accompaniment Tells of chivalry and courtly love Originated in France Written in the French language famous composer of the Medieval period: Adam De la Whale, France, 1237 1288 Adam De la Whale was also known as Adam el Boss (Adam the Hunchback). He was the son of a well known citizen of Arras, Henry De la Whale. He received his education at the Sectarian Abbey of Vacuoles, near Cambial. Adam was destined for the church but he eventually married. His patrons were Robert II, Count of Argots, and Charles of Enjoy, brother of Louis X. Adam was one of the oldest secular composers hose literary and musical works include chansons and poetic debates. He was a trout ©re, poet and musician, whose literary and musical works include chansons and juju-parties (poetic debates) in the style of the trousers, Adam De La Whale, Miniature in musical codex s. XIII Source: http//piggeries. Com/image/chaffed Artist: Unknown polyphonic roundel and motets in the style of early liturgical polyphony. His musical play, Jew De Robin et Marion was considered the earliest surviving secular French play with music. His works include: 1. El Jew De Robin et De Marion 2. La Chanson du ROI De Sicily Listen to the link below that features League De Robin et Marion http:// Music Of The Medieval Period By JuliusGranadaPag 1600) The term Renaissance comes from the word remainder which means rebirth, revival, and rediscovery. The Renaissance Period is a period of of looking back to the Golden Age of Greece and Rome. The invention of printing in the sasss paved the way for a wide distribution of renaissance compositions. With the emergence of the bourgeois class, renaissance music became popular as entertainment and activity for amateurs and the educated. Lute was the prominent instrument of the incessant era. The influence of the Roman Catholic Church started to decline as the new music genre arose. Though sacred music was still of great importance, secular music became more prominent in the renaissance period. This era was also known as the golden age of a capable choral music. Other historical facts during this era is the discovery of the actual position of earth in the solar system by Copernicus, the invention of compass creating a wider navigation not only of the lands but also of the oceans, and Martin Lathers Protestant reformation. Characteristics of renaissance Music: Mostly polyphonic Imitation among the voices is common Use of word painting in texts and music Melodic lines move in a flowing manner Melodies are easier to perform because these move along a scale with a few large leaps vocal Music of the renaissance period 1. Mass is a form of sacred musical composition that sets texts of the Eucharist liturgy into music. Characteristics of the Mass: Polyphonic May be sung a capable or with orchestral accompaniment Text may be syllabic (one note set to each syllable), intimate (a few notes set to one syllable), or melodramatic (many notes to one syllable) Five Main Sections of Mass: . Keri (Lord Have Mercy) 2. Gloria (Glory to God in the Highest) 3. Credo (l Believe in One God) 4. Sanctum and Benedicts (Holy, holy and Blessed Is He) 5. Gangs Die (Lamb of God) Listen to the link below that features one of the main sections of the mass. Gloria by Joaquin De Prep http://www. Youth. Com/watch? V=Cabochon 2. Madrigal A secular vocal polyphonic music composition which originated from Italy. It is written and expressed in a poetic text and sung during courtly social gatherings. It is the most important secular form during the Renaissance period. Characteristics of the Madrigal: .uc03ca316aeddb4201bbe5bc458e2bc2d , .uc03ca316aeddb4201bbe5bc458e2bc2d .postImageUrl , .uc03ca316aeddb4201bbe5bc458e2bc2d .centered-text-area { min-height: 80px; position: relative; } .uc03ca316aeddb4201bbe5bc458e2bc2d , .uc03ca316aeddb4201bbe5bc458e2bc2d:hover , .uc03ca316aeddb4201bbe5bc458e2bc2d:visited , .uc03ca316aeddb4201bbe5bc458e2bc2d:active { border:0!important; } .uc03ca316aeddb4201bbe5bc458e2bc2d .clearfix:after { content: ""; display: table; clear: both; } .uc03ca316aeddb4201bbe5bc458e2bc2d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc03ca316aeddb4201bbe5bc458e2bc2d:active , .uc03ca316aeddb4201bbe5bc458e2bc2d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc03ca316aeddb4201bbe5bc458e2bc2d .centered-text-area { width: 100%; position: relative ; } .uc03ca316aeddb4201bbe5bc458e2bc2d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc03ca316aeddb4201bbe5bc458e2bc2d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc03ca316aeddb4201bbe5bc458e2bc2d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc03ca316aeddb4201bbe5bc458e2bc2d:hover .ctaButton { background-color: #34495E!important; } .uc03ca316aeddb4201bbe5bc458e2bc2d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc03ca316aeddb4201bbe5bc458e2bc2d .uc03ca316aeddb4201bbe5bc458e2bc2d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc03ca316aeddb4201bbe5bc458e2bc2d:after { content: ""; display: block; clear: both; } READ: Architecture of the Medieval Cathedrals EssaySung a capable Through-composed Frequently in 3 to 6 voices Listen to April Is In My Mistress Face by Thomas Morley reflection: 1. Which music are you familiar with? Why? Composers of the renaissance period 1. Giovanni Periling dad Palestinian, Rome, 1525 February 2, 1594 Giovanni Periling dad Palestinian is said to be the greatest master of Roman Catholic Church music during the Renaissance period. Majority of his compositions are sacred music. He was committed to sacred music and has a keen interest in satisfying the desires of church leaders in the sixteenth century. Palestinians Pope Marcella Mass is held up s the perfect example of counter reformation style. Keri is part of the first two sections of the Pope Marcella Mass. His career reflects his commitment to the music of the church. He received his early training and spent the majority of his career in various churches in Rome, including the popes chapel. He was as an organist and choir master at both the Sistine Chapel and at SST. Pewters which may have influenced his distinctively pure and restrained style in musical compositions. Palestinian also served as an organist in SST. Gigabit. His first book Masses became popular and was rattle appreciated by Pope Julius Ill. Palestinian has two sons but lost them both during the plague epidemic that struck Rome in sasss. He had planned to become a priest but eventually changed his mind and married a wealthy widow. This improved his wealth and enabled him to pursue a musical career for the rest of his life. Listen to the links below that feature the opening Keri (Excerpt from Pope Marcella Mass) http://www. Youth. Com/watch? Fiddlesticks http://www. Youth. Com/watch? V=N.B.-I_Visits 2. Thomas Morley, 1 557 1602 Morley was born in Norwich, East England, the son of a brewer. He was a singer in the local cathedral from his boyhood, and he became master of choristers there in 1583. Thomas Morley was the most famous composer of secular music in his time. He was a singer in the local cathedral during his childhood and was believed to have studied music with William Byrd, an Elizabethan composer of sacred music. He received his Bachelors degree in Oxford and became an organist at SST. Palls in London. He tried imitating Byrd in his early works but veered towards composing madrigals that show a variety of color, form and technique. Most of his madrigals are eight and easy to sing with some aspects of Italian style.

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